Time Flies, Fruit Flies...

A bit of a blog gap has occurred! 

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Understanding Watercolour Paper

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Understanding Watercolour Paper. An Overview of Terms. If you are new to water-colours one of the most baffling subjects is understanding the terms for different types of paper, often referred to as 'supports', and choosing the right one for you. You will need to consider the surface, weight, materials and format of the paper you choose - quite daunting when you just want to get painting! Commercially made water-colour papers are produced in three main surface types; ROUGH - this is pretty self explanatory, the surface of the paper is highly textured with plenty of 'tooth' which will grab applied pigment enabling you to create great textural effects. SMOOTH - also known as HOT PRESSED. This is a very smooth and even grained paper ideal for highly detailed fine work. NOT - or COLD PRESSED . This is the most popular watercolour paper. It has a gentle texture and suits a wide range of watercolour styles. The most common...
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Octoberon!

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A wet and windy start to the month. Sketching out these honesty seed heads put me in mind of the Barclay James Harvest LP, Octoberon.  It featured a fairy king figure adorned with mother of pearl. Back in the day of 'album covers', I remember spending hours in record stores admiring the artwork and often buying on the strength of the artwork - many musical discoveries were made that way.   
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Understanding Colour.

Colour theory is an essential reference for any artist. Most of us have a vague memory of colour wheels from our school days but apart from reminding us that yellow and blue make green, blue and red make violet, and red and yellow make orange, what use is it? First things first - the subtractive colour wheel is based on the three primary colours of red, yellow and blue. This is the colour wheel for painters and creators of things which are seen via reflected light. If all three primaries of this model come together you get, (in theory), black, (in practice mud!). Other colour models exist; you will likely be aware of the red, green, blue, additive colour wheel which works for projected light images, (on your computer for example). If these three light based colours come together they produce white light - think Dark Side of the Moon prisms! As painters we need be concerned only with the subtractive colour wheel. The theory states that from the three primary colours, (red, yello...
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