A chilly start to 2021- we've enjoyed clear, bright but freezing days. Sunrise and sunsets have been stunning. Too cold for painting outside but a great time to take photos and collect specimens for working up in the studio.
Understanding Watercolour Paper. An Overview of Terms. If you are new to water-colours one of the most baffling subjects is understanding the terms for different types of paper, often referred to as 'supports', and choosing the right one for you. You will need to consider the surface, weight, materials and format of the paper you choose - quite daunting when you just want to get painting! Commercially made water-colour papers are produced in three main surface types; ROUGH - this is pretty self explanatory, the surface of the paper is highly textured with plenty of 'tooth' which will grab applied pigment enabling you to create great textural effects. SMOOTH - also known as HOT PRESSED. This is a very smooth and even grained paper ideal for highly detailed fine work. NOT - or COLD PRESSED . This is the most popular watercolour paper. It has a gentle texture and suits a wide range of watercolour styles. The most common...
A cornfield by Moonlight by Samuel Palmer (one of my favourite artists). This painting is where I am in my head when I am out on a horse in the moonlight. It is possible for just a few weeks between harvest and sowing when we are allowed to cross the stubble. The days are still too warm and full of flies for my delicate (!) horses so we head out in the moonlight to explore land that is for most of the year out of bounds. The agrarian landscape is very different from Palmer's day; gone are the corn stooks - these days the shorter GM crops are all munched up by modern harvesters but the moon still works it's magic in the still, balmy evenings.
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